yves saint laurent and piet mondrian | yves saint laurent 1960s yves saint laurent and piet mondrian Two iconic men’s visions came together in 1965 when Yves Saint Laurent decided to create six . EPOJET LV 40. Two-component epoxy resins, with very low viscosity for injection in microcracks, also on wet surfaces. documentation. Technical data sheet. Download. Safety Data Sheet. CE Declaration of Performance. Specifications. EPOJET LV 40 is part of the lines: Home page. Products and solutions. Products list. Product detail.
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yves saint laurent 1960s
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Following the Autumn-Winter 1965 collection, Yves Saint Laurent and Pierre Bergé acquired .Homage to Piet Mondrian. Related to Fashion. Yves Saint Laurent’s passion for painting led him and Pierre Bergé to assemble a truly incredible art collection. The couturier also express.Homage to Piet Mondrian. Related to Fashion. Yves Saint Laurent’s passion for painting led .
The Mondrian Collection was designed by French fashion designer Yves Saint Laurent (1936–2008) in 1965. This collection was a homage to the work of several modernistic artists. Part of this collection were six cocktail dresses that were inspired by the paintings of Piet Mondrian (1872–1944). Because these six shift dresses played a major role in this collection, the collection is called the .Two iconic men’s visions came together in 1965 when Yves Saint Laurent decided to create six . A conversation about the bond between fashion and fine art is incomplete without .
En 1965, Yves Saint Laurent rend hommage au peintre Mondrian en créant des robes de cocktail évoquant ses toiles abstraites et dont la simplicité de la coupe, la géométrie des lignes et la franchise des couleurs insufflent un vent de . This remarkable endeavor began in 1965 when Saint Laurent was reading .
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Following the Autumn-Winter 1965 collection, Yves Saint Laurent and Pierre Bergé acquired some of Piet Mondrian’s paintings. In 1978, they made their first acquisition— Composition I (1920) —through the art dealer Alain Tarica, from whom they would end up purchasing a .Homage to Piet Mondrian. Related to Fashion. Yves Saint Laurent’s passion for painting led him and Pierre Bergé to assemble a truly incredible art collection. The couturier also expressed his admiration for painters through the various garments he designed to honor the artists he loved.The Mondrian Collection was designed by French fashion designer Yves Saint Laurent (1936–2008) in 1965. [1] This collection was a homage to the work of several modernistic artists. [ 1 ] Part of this collection were six cocktail dresses that were inspired by the paintings of Piet Mondrian (1872–1944). [ 1 ]Two iconic men’s visions came together in 1965 when Yves Saint Laurent decided to create six sack dresses that incorporated work by Piet Mondrian. Mondrian was a Dutch artist who painted with many different styles throughout his life and, at the end of his career, took an interest in lines.
A conversation about the bond between fashion and fine art is incomplete without an in depth discussion of Yves Saint Laurent's Mondrian dress. The shift dress that puts all other shift (or sack as they were called) dresses to shame .En 1965, Yves Saint Laurent rend hommage au peintre Mondrian en créant des robes de cocktail évoquant ses toiles abstraites et dont la simplicité de la coupe, la géométrie des lignes et la franchise des couleurs insufflent un vent de modernité . This remarkable endeavor began in 1965 when Saint Laurent was reading Michel Seuphor’s book, Piet Mondrian, Life and Work. The purity of Mondrian's simple lines and color blocks resonated deeply with Saint Laurent, inspiring him to create a collection of twenty-six designs that mirrored the principles of Neoplasticism.
Simple 1960s shift dresses often acted as canvasses for bold adornments, an idea that Yves Saint Laurent took quite literally. His fall 1965 collection became known as his “Mondrian” collection, in spite of the fact that it contained only six dresses that resembled the Dutch painter’s work.
Knowing the flat planes of the 1960s canvases achieved by contemporary artists in the lineage of Mondrian, Saint Laurent made the historical case for the artistic sensibility of his time. Yet he also demonstrated a feat of dressmaking, setting in each block of jersey, piecing in order to create the semblance of the Mondrian order and to .
Yves Saint Laurent famously punctured the wall between art and fashion in 1965 when he designed a stunning line of prêt-a-porter dresses based on the colorful geometric creations of.
Following the Autumn-Winter 1965 collection, Yves Saint Laurent and Pierre Bergé acquired some of Piet Mondrian’s paintings. In 1978, they made their first acquisition— Composition I (1920) —through the art dealer Alain Tarica, from whom they would end up purchasing a .
Homage to Piet Mondrian. Related to Fashion. Yves Saint Laurent’s passion for painting led him and Pierre Bergé to assemble a truly incredible art collection. The couturier also expressed his admiration for painters through the various garments he designed to honor the artists he loved.The Mondrian Collection was designed by French fashion designer Yves Saint Laurent (1936–2008) in 1965. [1] This collection was a homage to the work of several modernistic artists. [ 1 ] Part of this collection were six cocktail dresses that were inspired by the paintings of Piet Mondrian (1872–1944). [ 1 ]Two iconic men’s visions came together in 1965 when Yves Saint Laurent decided to create six sack dresses that incorporated work by Piet Mondrian. Mondrian was a Dutch artist who painted with many different styles throughout his life and, at the end of his career, took an interest in lines. A conversation about the bond between fashion and fine art is incomplete without an in depth discussion of Yves Saint Laurent's Mondrian dress. The shift dress that puts all other shift (or sack as they were called) dresses to shame .
En 1965, Yves Saint Laurent rend hommage au peintre Mondrian en créant des robes de cocktail évoquant ses toiles abstraites et dont la simplicité de la coupe, la géométrie des lignes et la franchise des couleurs insufflent un vent de modernité .
This remarkable endeavor began in 1965 when Saint Laurent was reading Michel Seuphor’s book, Piet Mondrian, Life and Work. The purity of Mondrian's simple lines and color blocks resonated deeply with Saint Laurent, inspiring him to create a collection of twenty-six designs that mirrored the principles of Neoplasticism.Simple 1960s shift dresses often acted as canvasses for bold adornments, an idea that Yves Saint Laurent took quite literally. His fall 1965 collection became known as his “Mondrian” collection, in spite of the fact that it contained only six dresses that resembled the Dutch painter’s work.Knowing the flat planes of the 1960s canvases achieved by contemporary artists in the lineage of Mondrian, Saint Laurent made the historical case for the artistic sensibility of his time. Yet he also demonstrated a feat of dressmaking, setting in each block of jersey, piecing in order to create the semblance of the Mondrian order and to .
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yves saint laurent and piet mondrian|yves saint laurent 1960s
