fake/not gucci collection | legit gucci fake/not gucci collection The Gucci Fake Not collection, appropriately presented here in the style of a DIY ‘zine of the ’80s, is more than just a seasonal collection. 1957 is the newest opus within the Exclusifs de Chanel collection, drawing once again from the life of Gabrielle (Coco Chanel). After Misia (2015) and Boy (2016), 1957 is the third exclusif that was created by perfumer Olivier Polge for the famous fashion house.
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The Gucci Fake Not collection, appropriately presented here in the style of a DIY ‘zine of the ’80s, is more than just a seasonal collection. The Gucci Fake Not collection for Fall/Winter 2020 includes many of the brand’s best-loved pieces with the word ‘Fake’ emblazoned on them. The Gucci logo in this case is .Spearheaded by Alessandro Michele, Gucci is exploiting the appeal of irony with a collection that’s dipped in the iconic monogram pattern and bears the motto ‘Not Fake’ printed in yellow . Poking fun at the counterfeits, Gucci has released a collection emblazoned with the words 'not' and 'fake'.
Rather than detest the phenomenon, Gucci creative director Alessandro Michele instead draws inspiration for the Gucci Fake Not motif – a .
The latest capsule of the brand led by Alessandro Michele is in fact the Fake/Not Collection, of which a suitcase had made an appearance during the last FW20 show of Gucci, . The sneaker features rich brown leather piping, and the word “Fake” in yellow over the stripe on one shoe and the word “Not” in yellow on the other shoe in a matching . Remember Alessandro Michele’s good-humoured toying on the idea of imitation when he showed “fake” T-shirts emblazoned with the brand’s logo – influenced by the counterfeits that made their first appearances and . The Gucci Fake Not collection, appropriately presented here in the style of a DIY ‘zine of the ’80s, is more than just a seasonal collection.
The Gucci Fake Not collection for Fall/Winter 2020 includes many of the brand’s best-loved pieces with the word ‘Fake’ emblazoned on them. The Gucci logo in this case is actually fake,.
Spearheaded by Alessandro Michele, Gucci is exploiting the appeal of irony with a collection that’s dipped in the iconic monogram pattern and bears the motto ‘Not Fake’ printed in yellow and capital letters. Poking fun at the counterfeits, Gucci has released a collection emblazoned with the words 'not' and 'fake'. Rather than detest the phenomenon, Gucci creative director Alessandro Michele instead draws inspiration for the Gucci Fake Not motif – a key print from the Autumn/ Winter 2020-21 men’s collection. Irreverent and rebellious, the collection is an ironic homage to the institutional code of the brand: the logo.
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The latest capsule of the brand led by Alessandro Michele is in fact the Fake/Not Collection, of which a suitcase had made an appearance during the last FW20 show of Gucci, and which has now been presented in its entire extension – with each item covered with a monogram pattern that bears the motto Not Fake printed in yellow and capital letters. The sneaker features rich brown leather piping, and the word “Fake” in yellow over the stripe on one shoe and the word “Not” in yellow on the other shoe in a matching position, providing a fitting kick-off to a captivating, playful collection. Remember Alessandro Michele’s good-humoured toying on the idea of imitation when he showed “fake” T-shirts emblazoned with the brand’s logo – influenced by the counterfeits that made their first appearances and became popular on the streets during the 80s – . Gucci’s Autumn/Winter 2020-22 menswear collection saw the play of ‘Gucci Fake Not’ motif in the theme. Taking inspiration from the ’80s logomania, Creative Director Alessando Michele’s paid a homage to the brand’s logo, a significant element of their designs.
According to Gucci, the “Fake/Not” collection for Fall/Winter 2020 – which includes men’s and women’s wear as well as bags and shoes – “began with a print inspired by a retro appropriation of the Gucci logo featuring the bicolour stripe.”
The Gucci Fake Not collection, appropriately presented here in the style of a DIY ‘zine of the ’80s, is more than just a seasonal collection. The Gucci Fake Not collection for Fall/Winter 2020 includes many of the brand’s best-loved pieces with the word ‘Fake’ emblazoned on them. The Gucci logo in this case is actually fake,.
Spearheaded by Alessandro Michele, Gucci is exploiting the appeal of irony with a collection that’s dipped in the iconic monogram pattern and bears the motto ‘Not Fake’ printed in yellow and capital letters. Poking fun at the counterfeits, Gucci has released a collection emblazoned with the words 'not' and 'fake'. Rather than detest the phenomenon, Gucci creative director Alessandro Michele instead draws inspiration for the Gucci Fake Not motif – a key print from the Autumn/ Winter 2020-21 men’s collection. Irreverent and rebellious, the collection is an ironic homage to the institutional code of the brand: the logo. The latest capsule of the brand led by Alessandro Michele is in fact the Fake/Not Collection, of which a suitcase had made an appearance during the last FW20 show of Gucci, and which has now been presented in its entire extension – with each item covered with a monogram pattern that bears the motto Not Fake printed in yellow and capital letters.
The sneaker features rich brown leather piping, and the word “Fake” in yellow over the stripe on one shoe and the word “Not” in yellow on the other shoe in a matching position, providing a fitting kick-off to a captivating, playful collection. Remember Alessandro Michele’s good-humoured toying on the idea of imitation when he showed “fake” T-shirts emblazoned with the brand’s logo – influenced by the counterfeits that made their first appearances and became popular on the streets during the 80s – .
Gucci’s Autumn/Winter 2020-22 menswear collection saw the play of ‘Gucci Fake Not’ motif in the theme. Taking inspiration from the ’80s logomania, Creative Director Alessando Michele’s paid a homage to the brand’s logo, a significant element of their designs.
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